Opening ceremony time:

November 28, 2019 (10:00 am)

Exhibition time:

November 28, 2019 - December 1, 2019

Venue:

Xuzhou Museum

Curator:

Xia Kaichen

Academic chair:

Li Yinde

Organizer:

Xuzhou Museum

Xuzhou Calligrapher Association

Co organizer:

Jinyiqiao (Beijing) Culture Technology Co., Ltd

Fish Academy

Book exchange

      On November 28, the exhibition of Han soul Chen Hao's calligraphy works was held in Xuzhou Museum, displaying more than 50 cursive works created by Chen Hao.

      Chen Hao was born in Xuzhou in 1955. In the 1970s, he was engaged in archaeological work in Xuzhou Museum. Chen Zheng, is an old calligrapher in Xuzhou,who Chen started calligraphy learning and creation activities with . Chen was the vice president of Xuzhou Calligraphy Research Association. In 1985, he moved to Qingdao and studied calligraphy under the guidance of Mr. Wei Qihou and Mr. Wang Yong. In 2005, he was admitted to the first postgraduate course of calligraphy theory and creation of Chinese Calligraphy Academy of Chinese Academy of art. At present, he is deputy secretary general and director of theoretical research department of Qingdao Modern Culture Research Association. Chen Hao's calligraphy benefits from Han bamboo slips and Han steles, mainly focusing on Zhang Cao and Da Cao, with free, unrestrained, free and dignified strokes. This exhibition is Chen Hao's report to the people in his hometown. During the exhibition, Chen Hao donated a piece of calligraphy to Xuzhou Museum, and the museum issued a collection certificate to Chen Hao.

Preface

       Chinese calligraphy has a long history. There is calligraphy written by brush on the pottery and oracle bones of Yin Ruins in Shang Dynasty. The unearthed bamboo slips indicate that the official script, grass script, line script and regular script were all completed in the Qin and Han Dynasties. Today, people study calligraphy mostly based on this. Chen Hao, a former archaeologist, can master 3 writing styles.
      Cursive script is the highest form of calligraphy. It's hard  to write well. The cursive script, which seems to be unrestrained, is actually rigorous. The cursive script of Zhang Xu and Huai Su of the Tang Dynasty has the attitude of the mountains and rivers. They are filled with the emotion of the nation and are known as " drunken Zhang and Su". However, when Han people sing, the cursive script is strong and vigorous, which is more in line with the spirit of the times of seeking innovation and change in Han Dynasty.

      Chen Hao's calligraphy originated from Han steles, bamboo and silk, and was integrated into the cursive script of the Tang Dynasty. What he pursued was the expression of the image of "learning from the outside and creating from the inside". His works grew with Qi and moved with rhyme, which is just a few of them.

      Chen Hao, born in May 1955 in Xuzhou, was born in Laizhou, Shandong Province.

      In 1972, he took part in the archaeological work of Xuzhou Museum. Former member of Jiangsu archaeological society. He used to be vice president of Xuzhou workers' Calligraphy Research Association.

Moved to Qingdao in 1985.

       Deputy secretary general and director of theory department of Qingdao Modern Culture Research Association of Qingdao Federation of social sciences.

      In 2005, the first student of Chinese Calligraphy Academy of Chinese Academy of art.

Mr. Wang Yong., is the master of calligraphy. It advocates the theory and practice of art calligraphy, and relevant papers are published in professional newspapers and online forums.

Senior online reviewer, independent calligrapher.

Works